Showing posts with label Science Fiction. Show all posts
Showing posts with label Science Fiction. Show all posts

Monday, September 23, 2024

Big Drawer

Big Drawer (Super Giant Heavy Industrial Machine) - Dekaranger, EP 18 "Samurai Go West" Japan 6/13/2004

Marato (The Robot God) - Power Rangers SPD, EP 18 "Samurai" US 6/11/2005

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The kaiju gimmick for 2004's Tokusou Sentai Dekaranger were the Heavy Industrial Machines: giant battle robots piloted by the show's various alien criminals in place of the usual method of growing Godzilla-size themselves, minus a handful of exceptions. The Heavy Industrial Machines were often distributed by Agent Abrella, a bat-like Rainian arms merchant and the closest thing to a main overarching villain within Dekaranger.



One of the more unique and clunkier robots was Big Drawer, a bigger-than-average Heavy Industrial Machine that could teleport away structures and people with a blue-green light ray, housing the captured inside energy spheres and further placed within its many drawers for safe imprisonment. Big Drawer was also armed with multiple flare-like missiles from the center drawer located in its center.

The pilot of Big Drawer was a blue-colored Batsuroid, one of the many middle-grade robot foot soldiers also sold by Agent Abrella throughout the series' run.

There was a white and gold Big Drawer II who showed up in episode 44 but I couldn't find any good screen-captures of that model so we'll save him for a later date (maybe) though you can see it in the concept art alongside its predecessor.

Big Drawer was later adapted into Power Rangers SPD with an admittedly cooler sounding name of Marato, The Robot God though this title ended up being just salesman ballyhoo from Broodwing, the equally greedy American adaptation of Agent Abrella.









RELATED LINK: Power Rangers SPD - Samurai (official episode upload).

Friday, August 30, 2024

PREVIEW: Pachishohma, Volume One

Inspired by the real-world phenomenon of Pachimon (unofficial Japanese bromide cards featuring dubious reworkings of pre-existing giant monsters), I've been taking all my past fanart illustrations and portraits to rework them as parody characters, inserted into comical photo-collage backgrounds, coining my process as Pachishohma (Pachimon + Enshohma).

I'm gathering all these gag monsters into an art-book for this coming October. With additional creature contributions by my friend Mark / Hawanja, who is also serving as an editor and co-writer, alongside author Patrick Galvan and comedian Banjo Wilkins as extra proofreaders, I'm presenting a preview of the book thus far below - enjoy!








One of Mark / Hawanja's contributions.

Thursday, March 9, 2023

Raijin God = Mecha-Daimajin?!


Raijin God - Sazer X EP 25 "A Recreated History" Japan 3/25/2006

Super Fleet Sazer-X (2005-2006) was a Toho production aping the Super Sentai and Metal Hero genres, though with a bigger emphasis on giant robot action whenever possible, likely due to Koichi Kawakita as the show's special effects director.

Raijin God (雷神ゴード) was the guardian deity of the descendants of the ancient Lighting Clan and was summoned by Lightning Shogun Thundera, the last living modern member of said clan (the cute alien gal in the tight blue pants), from the bottom of a lake.

The robotic giant was a fierce combatant, holding its own in a four-way battle with three other mecha opponents, until Thundera saw reason and sends God Raijin back into the lake, never to be seen again in the series, unfortunately.

As you can tell by God Raijin's appearance, choice of weaponry (The Divine Sword Godius神剣ゴーディウス ]), and overall iconography (the parting of the waves), he is a direct homage to Daimajin and his 1966 trilogy of fantasy films. If you're a fan of Daimajin, be happy to know God Raijin represents the demonic status of divine retribution quite well as, again, he was a real bruiser in the fight and could have won without a scratch had he not been returned to his aquatic sleep.


The character was played by television suit actor Shinya Iwasaki who mostly does work in the 2000s Ultraman franchise based on what I could find.

MORE IMAGES:




















Monday, August 22, 2022

Voyage to the Bottom of the Promotional Paintings!

Nothing major for today but I wanted to share the promotional artwork (possibly concept art) done for the television version of VOYAGE TO THE BOTTOM OF THE SEA (1964-1968), featuring four giant sea monsters that never made it into the series proper.

Like my previous post on Tabby-Imago, I'm using self-created nicknames for the following creatures to simplify the descriptions and because I just want to (if every other Godzilla and Power Ranger fan gets to name the unnamed, why not me?).

The first creature, which I'm nicknaming The Clawed Chimera, appears to be a combination of several sea animals, but the prominent claws give the initial impression that it's a simple giant crab before noticing the rest of the aforementioned bodily features. To my knowledge, there are at least two crustacean-based monsters in Voyage to the Bottom of the Sea: a giant aquatic spider-like creature in "The Monster's Web" (February 27, 1966), and the titular human-sized antagonist of "The Lobster Man" (January 21, 1968).

Confusingly, the main villain behind "The Deadly Dolls" (October 1, 1967) is mockingly dubbed 'The Hermit Crab' by the show's heroes, even though the being itself is a highly advanced, energy-like machine intelligence from the distant future seeking to possess The Seaview (the show's iconic submarine) for its new physical form.

As for the second monster featured: I've always had a preference for plesiosaur-like kaiju and characters, so you know which one I like between these two otherwise nifty critters. However, the lack of two-out-of-four pictorial fins gives me hesitation about nicknaming him The Abyssal Plesiosaur, with the vague alternative of Abyssal Sea Serpent matching the odd design better.

Beyond that, the art itself is very good, especially the luminous backlighting, but I will admit the serpent's eerily calm face might turn off most monster and horror fans.

My least favorite monster in these paintings, Pink-Tooth the Sea Beast (if you can think of something better, please share), is probably my least favorite of the four, but the mudskipper-like shape and long grasping arm-like front fins positively reminds me of the Ichthyosaurus Mercurius from The Outer Limits episode "Tourist Trap" (December 23, 1963).

Last but not least is The Black Devil Dragon, who is probably the coolest-looking monster of the promotional paintings and the one that I would loved to have seen in a completed episode, possibly as some ancient and terrifying menace that The Seaview accidently awakens from an undersea volcano. Or an aboveground volcano, seeing how that's The Flying Sub firing beams at the opposing giant.

I rediscovered these paintings in my personal archives and combined the small files into slightly larger and more presentable collages above. I tried to re-locate the old Voyage to the Bottom of the Sea site I collected (stole) these from but to no avail. If I rediscover said website or stumble upon the real official names of the featured monsters, I'll gladly update this article in the future.

Monday, August 9, 2021

Kaiju Videos for August 9th 2021

Here's some intriguing kaiju and other giant monster-related videos to for me to share and for you all to enjoy. I will be keeping up this feature as-often-as-possible for the remainder of 2021.

Direct from MONSTROSITIES Tokusatsu Vlog:

The story of how a tokusatsu technique created for the original MOTHRA (1961) was passed on to the original Kamen Rider and continues to be practiced to this very day.

https://youtu.be/Y1U2ixUKlMk



In Japan Hero's latest video, they take a closer look at the history of the Robot Detective TV series ( ロボット刑事 ) including a brief look at some abandoned giant robot concepts.

https://youtu.be/jRJwT0JPOEg



Linkara's History of Power Rangers returns with a relatively (relatively) short and coherent recap of POWER RANGERS BEAST MORPHERS, the first of the Hasbro-era of the franchise but produced with creative talents from the previous vanguard. The whole of Beast Morphers is available on Netflix and I might give it a watch as it's a far better alternative to the one-episode-every-rare-blue-moon-year scheduling Nickelodeon was and still is infamous for.

https://youtu.be/rh4AwC_3lL0



Direct from Toy Galaxy:

Ronin Warriors, known in Japan as Legendary Armor Samurai Troopers (鎧伝サムライトルーパー, Yoroiden Samurai Torūpā), is a Japanese anime series created by Hajime Yatate and animated by Sunrise somewhat riding the popularity of Saint Seiya. Ronin Warriors first aired on American television during the summer of 1995 and subsequently appeared through syndication, as well as the USA Network and later on Cartoon Network as part of Toonami. Besides being known as Ronin Warriors, Yoroiden Samurai Troopers and Legendary Armor Samurai Troopers in some parts of the world it was known as Samurai Warriors.

https://youtu.be/alcszGmKcak


After almost a decade of waiting, the 25-year-old journey finally comes to an end. Here's Yoko Higuchi's review of Evangelion: 3.0+1.0 Thrice Upon A Time in anticipation for its international streaming release on Amazon Prime Video this Friday.

https://youtu.be/hGT6F_sWs5s



Direct from Ben G. Thomas:

Sometimes the fossil record preserves some truly extraordinary glimpses into the past life on our planet, including traces of prehistoric animal behavior. In this video we're exploring 5 examples of such remarkable fossil finds - moments forever frozen in time.

https://youtu.be/Yru5uzBZOw4



TitanGoji takes a look at the 2005 adult oriented Japanese superhero series GARO which went on to become a successful multimedia franchise.

https://youtu.be/3Ge9UP67XwE



And finally, TitanGoji looks at the legacy of SHIN GODZILLA five years after its debut:

https://youtu.be/z42i49mGizU



Thursday, July 29, 2021

Kaiju Videos for July 29th 2021

Here's some intriguing kaiju and other giant monster-related videos to for me to share and for you all to enjoy. I will be keeping up this feature as-often-as-possible for the remainder of 2021.

Direct from Matt Draper:

A comprehensive look at The Millennium Era of Toho Godzilla, including a look at the history of Roland Emmerich's Godzilla '98, how Toho returned Godzilla ahead of schedule with Godzilla 2000, and the many reboots and evolutions found within The Millennium Era, covering 6 films made from 1999 through 2004. This is Part 3 of an ongoing Godzilla series.

Direct Link: https://youtu.be/8o-_VPDC4-8


Direct from MONSTROSITIES Tokusatsu Vlog:

A look at GODZILLA SINGULAR POINT's beautiful yet briefly seen version of Mothra.

Direct Link: https://youtu.be/NhyLpqHXBxs


In his latest video essay
"How Toei Changed Sunday Mornings", MercuryFalcon takes an extensive look at The Toei Fushigi Comedy Series: a loosely connected franchise of lighthearted fantasy adventures and mystery comedies that had major influences on the creation of SAILOR MOON and how it all came to an unlikely but satisfyingly end in a kaiju-filled crossover with the one and only ULTRAMAN.

Direct Link: https://youtu.be/PecckVgJvSE


Direct from Supervoid Cinema:

After Sam Riami's 'Spider-Man 4' never happened the character was rebooted with 'The Amazing Spider-Man'. There were ambitious plans for a whole slew of movies set in that universe. Drew Goddard was at one point time attached to write and direct a 'Sinister Six' movie for Sony, as part of 'The Amazing Spider-man' and when that fell apart he would be offered a potential 'The Spectacular Spider-Man' reboot (Which later became Spider-Man: Homecoming). Here's the story of why complete with dinosaurs and giant monsters attacking New York.

Direct Link: https://youtu.be/vS42hyhnMSc



Wednesday, March 24, 2021

Godzilla: Singular Point, First Episode Impressions



Thanks to the magic of the mighty Surfing Shark of V.P.N., I was able to view the first episode of GODZILLA: SINGULAR POINT which is being released on Netflix Japan on a weekly basis instead of a full season drop (still no word of an international release date though one is still coming this year).

Similar to the first act of "Gamera: Guardian of the Universe" (1995), the first episode is a slow burn building up the mystery behind a missing scientist and a haunting 1930s love song that's somehow being used to summon and/or resurrect the ancient monsters, with the 'Rodan the First' only appearing in the closing minutes to menace our heroes (as seen in the Toho Animation video clip released recently online).

I'd go more into the plot but, unfortunately, no English subtitles were available to me. However, unlike other untranslated kaiju media heavy on dialog, the human cast instantly made an impression with their appealing character designs alongside quirky personality moments and related visual gags, all of which kept my interest. 

In addition to the previously mentioned "Gamera" comparisons, the first episode's atmospheres and the near future world presented within was also reminiscent of "Ultra Q" and early Showa-era science fiction films like "The Mysterians" (1957), "The H-Man" (1958), and "Rodan" (1956): a virtually quiet, normal world on the eve of a monstrous cataclysm or an otherworldly event.





The twist was that Godzilla was dead all along!